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Bruce Willis stars as Korben Dallas, a New York cab driver turned unlikely hero in this timeless story about love and survival set in the 23rd century. In this future world posited by acclaimed writer-director Luc Besson, humanity has wandered out among the stars, spreading the life-energy of the universe and further agitating the dark force, whose time to strike back occurs only once every 5,000 years, when a doorway between the parallel dimensions briefly opens. That time is now, and Zorg (Gary Oldman), the agent of darkness, intends to take advantage of it. Humanity's hopes may lie with Leeloo (Milla Jovovich), who represents the fifth element, the life force. Leeloo holds unimaginable powers, but she needs help, and Korben befriends her. Nothing less than the future of the universe is in their hands.
Astronaut: The Last Push (2013)
For some more fascinating information about Zulu and in particular James Booth
In 1999, Robin Williams toured downunder to promote his sci-fi movie Bicentennial Man. In light of the tragic news of the actor's death, The TV Guide's Keith Sharp recalls the interview in an Auckland hotel room.
There's a scene in the 1999 Robin Williams film, Bicentennial Man, in which the robot at the centre of the story stands and delivers a fusillade of bad jokes he has learnt from his owner. Naturally, the performance is totally lacking in timing and delivery and the robot doesn't even understand why the jokes are funny. But the fact that they are was due entirely to the person confined in the robot costume.
It's the closest we come in the film to seeing Robin Williams the veteran stand-up comedian as opposed to Robin Williams the actor, and is a clear reminder that the man's unique and original stand-up comedy instincts were never far below the surface.
"It was always very free-form," said Williams of the style which first gained him wider attention in the TV comedy Mork and Mindy some three and a half decades ago. "It was more of an evolutionary thing because, working in a club with people who were slightly hammered, the idea was to not present a moving target."
Before he could do that, however, Williams had movie promotional duties to perform. Co-starring Sam Neill, the film was set in a not-too-distant future, and spanned 200 years in the evolution of a robot and the family which owns him. Although one of thousands, this robot proves to be unique when it displays signs of inquisitiveness and sensitivity, and begins to question its place in the order of things.
"The premise is that robots can be very moral creatures - and maybe even more moral than humans. And the idea of the rapid evolution of a creature going from machine to man, and looking for acceptance as man, and asking what are the boundaries of what is human, is quite interesting to talk about in a movie."
It also questions our response to machines that talk to us - from office building lifts to car computers - and once on that subject, Williams' innate sense of the absurd suddenly broke surface.
Without missing a beat, he became the voice of a Mercedes car computer and, in a comic mix of English and fluent German, the computer's polite admonishment of a driver's error grew into a Teutonic tirade against the occupant's whole performance. Seconds later, the theme had leapt to New York, where a car objected to its driver's dress sense and ordered him from the vehicle.
It's a performance which most comedians would be proud to deliver to an audience at any time, let alone off the cuff in an Auckland hotel room. I don't know if it ever made it into a stage routine but, for this interviewer, it seemed like I was being treated to a private show by the master himself and the fact that the stream-of-consciousness performance came so easily and naturally to Robin Williams was the main reason for his huge success as actor and comedian.
A Vietnam vet adjusts to life after the war while trying to support his family, but the chance of a better life may involve crime and bloodshed.
The end of our world is the beginning on another...
Robert Gould Shaw leads the US Civil War's first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.
Broadway musical based on the Little Orphan Annie comic strip. A young orphan girls adventures in finding a family that will take her.
In IDENTITY, a mind-bending thriller with a shockingly original and disturbing twist, ten strangers with secrets are brought together in a savage rainstorm. A limo driver (John Cusack), an '80s TV star (Rebecca DeMornay), a cop (Ray Liotta) who is transporting a killer (Jake Busey), a call girl (Amanda Peet), a pair of newlyweds (Clea DuVall and William Lee Scott) and a family in crisis (John C. McGinley, Leila Kenzle, Bret Loehr) all take shelter at a desolate motel run by a nervous night manager (John Hawkes). Relief in finding shelter is quickly replaced with fear as the ten travelers begin to die, one by one. They soon realize that, if they are to survive, they'll have to uncover the secret that has brought them all together.
Hang on for maximum mayhem, full-on fun and the wildest chase scenes ever put on film! The action and comedy never stop when superstars Martin Lawrence and Will Smith reunite as out-of-control trash-talking buddy cops. Bullets fly, cars crash, and laughs explode as they pursue a whacked-out drug lord from the streets of Miami to the barrios of Cuba. But the real fireworks result when Lawrence discovers that playboy Smith is secretly romancing his sexy sister, Gabrielle Union (Bring it On). Director Michael Bay (Pearl Harbor, Armageddon) and producer Jerry Bruckheimer (Pirates of the Caribbean, Black Hawk Down) deliver a high-speed, high-octane blockbuster that will blow you away! "...Year's most action-packed and high-flying flick." (Shawn Edwards, FOX TV).
A female cyborg cop and her partner hunt a mysterious and powerful hacker called the Puppet Master.
"One Night With The King" chronicles the life of the young Jewish girl, Hadassah, who goes on to become the Biblical Esther, the Queen of Persia, and saves the Jewish nation from ... See full summary »
A perfect red-colored violin inspires passion, making its way through three centuries over several owners and countries, eventually ending up at an auction where it may find a new owner.
In the tony yachting enclave of Blue Bay, Florida, behind the opulent facades of the mansions of the rich lurks a twisted tale of sex, revenge and murder. Uppercrust teen temptress Kelly Van Ryan (Denise Richards) has a crush on her sexy school guidance counselor, Sam Lombardo (Matt Dillon). But she later accuses him of sexual assault, and a similar accusation surfaces from brooding outcast Suzie Toller (Neve Campbell). Soon the scandal has its tentacles wrapped around virtually everyone in town, from influential attorney Tom Baxter (Robert Wagner) to Kelly's mother, frosty family matriarch Sandra Van Ryan (Theresa Russell). Detective Ray Duquette (Kevin Bacon) eventually uncovers a tabloid-worthy conspiracy marked by a maze of shocking twists, unexpected turns and insidious entanglements.
All's fair in love and death in this smart and sexy comedy about a guy, Ray (Steve Coogan) who runs an alibi service for adulterous husbands and gets into a jam with one of his clients. His business is booming when a client who sneaks away the weekend before his wedding accidentally kills his mistress. Afraid of being implicated in the murder, Ray hires the sexy, fast-talking Lola (Rebecca Romijn) to help him mastermind one final con to clear his name. In the process, he finds himself falling in love with her. All starring James Marsden (X-Men, Superman Returns), James Brolin, Selma Blair, John Leguizamo and Sam Elliott.
The saga of the mythic guitar-slinging hero, El Mariachi (Antonio Banderas), continues in Robert Rodriguez's bravura action epic, the third installment in the series. This adventure is set against a backdrop of revolution, greed and revenge. Haunted and scarred by tragedy, El Mariachi (Banderas) has retreated into a life of isolation. He is forced out of hiding when Sands (Johnny Depp), a corrupt CIA agent, recruits the reclusive hero to sabotage an assassination plot against the president of Mexico conceived by the evil cartel kingpin Barrillo (Willem Dafoe). Returning with his two trusted sidekicks, Lorenzo (Enrique Iglesias) and Fideo (Marco Leonardi), the desperado stokes the legend of El Mariachi to new heights of excitement and adventure.
Former U.S. Cavalry Col. William Ludlow (Anthony Hopkins) presides over his ranch in the foothills of the Montana Rockies, where he seeks to raise his three sons far away from the madness of his times. Alfred (Aidan Quinn), the eldest, is dutiful and reserved but has a will of his own; Samuel (Henry Thomas), the beloved youngest brother, is the epitome of turn-of-the-century idealism; and middle brother Tristan (Brad Pitt) is a wild, untamable spirit. Samuel's arrival from college throws the family into turmoil--both his brothers fall in love with his new fiancée (Julia Ormond)--until the outbreak of World War I upends their lives. Through the horror of that war, then home to Montana and a world turned modern overnight, the brothers' tale is a story writ large, of love and loss, betrayal and hope.
In the distant future, Earth is at war with a race of giant alien insects intent on eradicating all human life. Johnny Rico (Casper Van Dien) volunteers for the Mobile Infantry, following his girlfriend, Carmen Ibanez (Denise Richards), who's training to be a starship pilot. In boot camp with other recruits including Dizzy (Dina Meyer) and Ace (Jake Busey), Johnny becomes squad leader. After a tragic accident occurs on his watch, Johnny is about to resign when Earth is attacked by the Bugs, and the city of Buenos Aires-Johnny's home-is wiped off the map. His grief turning to anger, Johnny determines to stay and fight the insects. The Mobile Infantry travels to distant planets to take the war to the Bugs. They are a ruthless enemy with only one mission: Survival of their species no matter what the cost.
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